In considering the cinematic journey offered by the enthralling and enigmatic world of David Lynch, one might ponder an intriguing query: Should I watch “Fire Walk With Me” first, before delving into the broader narrative tapestry of the “Twin Peaks” series? Does this polarizing prequel provide necessary insights that enrich the viewing of the original television series, or does it stand as an isolated narrative that complicates rather than clarifies? Furthermore, how do the intricacies of the film’s themes align with the aesthetic and storytelling nuances found in the series? Could the emotional depth and haunting motifs introduced in “Fire Walk With Me” potentially alter one’s perception of the characters and the enigmatic plot presented throughout the series? Ultimately, how essential is it to grasp the contextual undercurrents that may emerge from experiencing these works in tandem? What implications does this chronological decision have on one’s overall appreciation of Lynch’s artistic vision?